Where do you draw the line? If you use a soundbar, someone else is complaining because they use their built-in speakers. But if you optimize for that, someone else is using their laptop speaker on the train.
What really pisses me off with this “argument” is that the audio information is all right there, which you would know if you bothered to read the second half of my comment before getting all pissy.
5.1 audio (and the standards that superseded it in cinemas) all have multiple audio channels with one dedicated to voice. If you have a shit sound system, the sound system should be downmixing in a way that preserves dialogue better. Again, the information is all right there as there is no stereo track in most movies, your player is building it on-the-fly based on the 5.1 track. It’s not the director’s fault that Netflix or Hulu is doing an awful job at accounting for the fact that most of their users are listening on a sound setup that can barely reproduce intelligible speech.
I draw the line at “people watch stuff on TV and cannot hear any dialogue”.
I don’t need to have a doctorate on audio / put in thousands of dollars into a hobby I don’t want to hear dialogue in a movie without rupturing my eardrums by an action scene.
If everything is there, let’s optimize for people like me, and let people like you mess around with the settings for your home cinema.
people watch stuff on TV and cannot hear any dialogue
did you read anything I said or do you just want to complain?
have a doctorate on audio / put in thousands of dollars into a hobby
Good news then, a more-than-decent 5.1 setup can be had for ~500 €. A decent soundbar for a few hundred.
and let people like you mess around with the settings for your home cinema
I can’t if the audio source is fucked up because directors have been forced by studios to release with low dynamic range.
My whole point is that your audio goes Master -> 5.1 channels -> downmixer -> your shitty 2.0 channels speakers and my audio goes Master -> 5.1 channels -> receiver -> my 5.1 setup.
You’re asking the master to change to fit your needs. I’m asking the media players to fix their fucking downmixers because that’s where the problem lies. Leave the studio mastering alone god damn it.
Broooo, did you just say 500 as if that was cheap? Damn. That’s what a whole ass tv costs.
Expecting for sound volumes to be somewhat balanced in a tv or generic player is not too much to ask, I don’t care if a surround 5.1 or 9.1 system would have it sound right, because stuff shouldn’t be fine-tuned for specialised gear, stuff should be fine-tuned for general usage and specialised gear should have in-house tweaks to make it work well.
You got it backwards and you sound pretty elitist. I get what you mean with general usage audio programs not fine tuning properly, but you are asking 90% of the population or programs to tweaks their systems so that they work for things fine tuned for 5% of the population/systems. You do see how that sounds pretentious, right? That’s how it reads at least.
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Where do you draw the line? If you use a soundbar, someone else is complaining because they use their built-in speakers. But if you optimize for that, someone else is using their laptop speaker on the train.
What really pisses me off with this “argument” is that the audio information is all right there, which you would know if you bothered to read the second half of my comment before getting all pissy.
5.1 audio (and the standards that superseded it in cinemas) all have multiple audio channels with one dedicated to voice. If you have a shit sound system, the sound system should be downmixing in a way that preserves dialogue better. Again, the information is all right there as there is no stereo track in most movies, your player is building it on-the-fly based on the 5.1 track. It’s not the director’s fault that Netflix or Hulu is doing an awful job at accounting for the fact that most of their users are listening on a sound setup that can barely reproduce intelligible speech.
I draw the line at “people watch stuff on TV and cannot hear any dialogue”.
I don’t need to have a doctorate on audio / put in thousands of dollars into a hobby I don’t want to hear dialogue in a movie without rupturing my eardrums by an action scene.
If everything is there, let’s optimize for people like me, and let people like you mess around with the settings for your home cinema.
did you read anything I said or do you just want to complain?
Good news then, a more-than-decent 5.1 setup can be had for ~500 €. A decent soundbar for a few hundred.
I can’t if the audio source is fucked up because directors have been forced by studios to release with low dynamic range.
My whole point is that your audio goes Master -> 5.1 channels -> downmixer -> your shitty 2.0 channels speakers and my audio goes Master -> 5.1 channels -> receiver -> my 5.1 setup.
You’re asking the master to change to fit your needs. I’m asking the media players to fix their fucking downmixers because that’s where the problem lies. Leave the studio mastering alone god damn it.
Broooo, did you just say 500 as if that was cheap? Damn. That’s what a whole ass tv costs.
Expecting for sound volumes to be somewhat balanced in a tv or generic player is not too much to ask, I don’t care if a surround 5.1 or 9.1 system would have it sound right, because stuff shouldn’t be fine-tuned for specialised gear, stuff should be fine-tuned for general usage and specialised gear should have in-house tweaks to make it work well.
You got it backwards and you sound pretty elitist. I get what you mean with general usage audio programs not fine tuning properly, but you are asking 90% of the population or programs to tweaks their systems so that they work for things fine tuned for 5% of the population/systems. You do see how that sounds pretentious, right? That’s how it reads at least.