Check out the youtuber “Neural Viz”. Using multiple AI tools, he has built an incredible universe of consistent characters. As @tjsauce pointed out, it ultimately comes down to how much you care about what you publish. You can spend hours trying to get AI systems to produce the exact effect you’re aiming for—but few people are truly searching for something specific. That’s where the artist becomes a designer: someone who not only creates, but curates with intention. Most people aren’t thinking that way.
Using multiple AI tools, he has built an incredible universe of consistent characters.
He hasn’t, though. He’s done some rudimentary work and then turned the lion’s share of the design/development over to an algorithm that supplants his designs with work harvested from other professionals.
You can spend hours trying to get AI systems to produce the exact effect you’re aiming for—but few people are truly searching for something specific.
I think part of the problem with the “AI is Art, aktuly” discourse is that people who aren’t professional artists really believe art is a commodity and meeting volumetric need is the artist’s end goal. This isn’t about an individual synthesizing personal memories, ideas, and technique to produce an experience for an audience. This is about individuals within an audience stating their desires, and some random assortment of artists throwing out tropes that fall somewhere in between their collective demands.
There is no concept of originalization. Everything is just a commercialized composite of prior works, created first and foremost to meet an immediate stated economic demand. Execs barking “I want a guy who looks like the Halo guy, but with long hair and a sword instead of a rifle” instead of some guy with family in the military and a talent for 3D rendering envisioning what a futuristic commando would look like.
![[Rusty Creates] 'Artists'](https://lemmy.world/pictrs/image/ee6ccbcc-d001-4b28-a88f-d39c2b75f860.png){kind=link}
Check out the youtuber “Neural Viz”. Using multiple AI tools, he has built an incredible universe of consistent characters. As @tjsauce pointed out, it ultimately comes down to how much you care about what you publish. You can spend hours trying to get AI systems to produce the exact effect you’re aiming for—but few people are truly searching for something specific. That’s where the artist becomes a designer: someone who not only creates, but curates with intention. Most people aren’t thinking that way.
He hasn’t, though. He’s done some rudimentary work and then turned the lion’s share of the design/development over to an algorithm that supplants his designs with work harvested from other professionals.
I think part of the problem with the “AI is Art, aktuly” discourse is that people who aren’t professional artists really believe art is a commodity and meeting volumetric need is the artist’s end goal. This isn’t about an individual synthesizing personal memories, ideas, and technique to produce an experience for an audience. This is about individuals within an audience stating their desires, and some random assortment of artists throwing out tropes that fall somewhere in between their collective demands.
There is no concept of originalization. Everything is just a commercialized composite of prior works, created first and foremost to meet an immediate stated economic demand. Execs barking “I want a guy who looks like the Halo guy, but with long hair and a sword instead of a rifle” instead of some guy with family in the military and a talent for 3D rendering envisioning what a futuristic commando would look like.
‘An Overwhelmingly Negative And Demoralizing Force’: What It’s Like Working For A Company That’s Forcing AI On Its Developers
OK but now do that without stealing other people’s art.